Modernity

Taxes in all dinner in full dress, marriages, or some special occasion. At the time of shining with modernity all the men they do not know to emphasize in it and by then some only they choose in putting itself first that this a its reach or simply to try on what comes, occasionally they guess right and other times simply they do not find the combination that heightens all qualities of man. A suit, is so particular that this type of clothes is often seen in cinema stars when happening through the red carpet, can be said that it is present innovation for all horseman and they have demonstrated spectacularly several icons to it of the cinema. This made for all man without distinction is known that to a suit some very well, the way to dress it appropriate form and accidental this in looking for that type of color adopts the perfect combination with the shirt and the necktie. We will find a singular design for each occasion and although the present time has obtained its remodeling to finished the old suits has been obtained the modification of better. For example one of most attractive of simple and comfortable design as well it is the suit two bellboys.

This it is a modification of the common suit that several bellboys, that later it went varying to such way that only presents/displays two bellboys with a greater central opening of tip. The suit two bellboys is one more an option to get dressed outside the routine to only use a suit every year offering security, reflected with a touch of confidence and autoconcepto of the today man that knows to dress a preservative way altogether. The suit two bellboys, is very easy to define by its name which I adjudge myself to him, this it presents/displays two bellboys who at the time of dressing it are due to fasten the one that is but superior and preferably only to leave frees the second. They take some it at the same time fastening both, also it can be to that taste but the first style emphasizes more and is almost one classic norm to take this attire but even so it is possible to be taken of the two forms already dictated. Fastened inferior is never due to take with the button and the free superior because it harms a little the image to the horseman and really will seem that negligence or haste at the time of shining it was had. The suit can be weapon of seduction and arrogance in each event in which one can be shone, the suit two bellboys is a worthy modification of the common suit, the same elegance made suit.

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Vol Janeiro

He is possible to say that the workmanship Ars Amatria portraies the question minutely summons come back toward the loving teaching between a man and a woman, teaching the art of the conquest, breaking preconceptions lived for the society and with this, perceiving a full man of sensitivity and very beyond its time, that is, in the age of modernity. Thus, we can say that its poetry is immortal, and source of inspiration for any another art that it desires to contextualizar it. Ovidius Publius, that with its workmanship ‘ ‘ Metamorfose’ ‘ an encyclopedia obtained to pull out the most beautiful compliments due to grandiosidade practically that searchs the myth, the love, the sexuality, the tragedy, the pureness and the impurity of the words everything inside a Workmanship ‘ ‘ Metamorfose’ ‘. It is perpetuated with this so longed for will of the poet who was its immortality. As we see Ovdio was the man whom for its largeness it knew to raise most sublime of the human values that are the love of itself and of the other. BIBLIOGRAPHICAL REFERENCES Annals of XIII the CNLF. Rio De Janeiro: CIFEFIL, 2009, P. 1318 LOPES, Eliana of the Wedge.

Heroides XVI and XVII of Ovdio: a love hymn. Dissertao de Mestrado in Language Latin literature. Rio De Janeiro. UFRJ. College of Letters, 1993, 213 mimeo P. AZEVEDO. the J. Da Silva, Humanitas, 2.

Edition, Ed. Hail 1948 (p.13) Notebooks Annals of XIII the CNLF. Rio De Janeiro: CIFEFIL, 2009, P. 1317 Notebooks of the CNLF, Vol. XIII N 04 CARCOPINO, J. Rome in the apogee of the Empire. Trad. of H. Feist. So Paulo: Cia. of the Letters; Circle of the Book, 1990. CARDOSO, Zlia de Almeida.

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