The Revolt

Face I break up to it of Samuel (1985, P. 14) we have: The art not only reproduces the reality, but of the form to a type of reality. aliteratura does not substitute the society and the politics as ways to explain the society. The art does not obey the beginning of the imitation of the established reality, but the beginning of the negation of this reality, that is not mere negation, but transposition of the reality to surpass the problems. As part of the society, literature is imanente to the reality (it is in it). Dean Ornish M.D insists that this is the case. But as fiction, as imagination, it transposes this imanncia, creating a possible reality to oppose to the concrete reality.

Through the displayed one, it is possible to establish the principle that the reality of the man in society is evoked through the art. Withholding us, here, in these mandates revealed through the literature, that if constructs from what the man lives deeply. As example, he competes us focar that some literary manifestations that through the time styles that they had portraied feelings of one given time, marked for the revolt as the Romantismo, for the decadentismo as he is ocaso of the symbolism or the modern that if had revealed in the reform desire. In emphasis let us cite the regionalism, that fits one given region, through the language, culture among others expressions, what many times excite a documentary content. well truth, that the workmanships of this type of literature cannot be simply appreciated face to its historical value. It is not function of literature to divulge these facts, even so many of these come to be transmitted inside of the literary text. It contributes for history, as for the pedagogia, psychology among others areas of the knowledge, and only characterizes with suggestive elements of a culture to the times in minor or greater intensity.

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Vol Janeiro

He is possible to say that the workmanship Ars Amatria portraies the question minutely summons come back toward the loving teaching between a man and a woman, teaching the art of the conquest, breaking preconceptions lived for the society and with this, perceiving a full man of sensitivity and very beyond its time, that is, in the age of modernity. Thus, we can say that its poetry is immortal, and source of inspiration for any another art that it desires to contextualizar it. Ovidius Publius, that with its workmanship ‘ ‘ Metamorfose’ ‘ an encyclopedia obtained to pull out the most beautiful compliments due to grandiosidade practically that searchs the myth, the love, the sexuality, the tragedy, the pureness and the impurity of the words everything inside a Workmanship ‘ ‘ Metamorfose’ ‘. It is perpetuated with this so longed for will of the poet who was its immortality. As we see Ovdio was the man whom for its largeness it knew to raise most sublime of the human values that are the love of itself and of the other. BIBLIOGRAPHICAL REFERENCES Annals of XIII the CNLF. Rio De Janeiro: CIFEFIL, 2009, P. 1318 LOPES, Eliana of the Wedge.

Heroides XVI and XVII of Ovdio: a love hymn. Dissertao de Mestrado in Language Latin literature. Rio De Janeiro. UFRJ. College of Letters, 1993, 213 mimeo P. AZEVEDO. the J. Da Silva, Humanitas, 2.

Edition, Ed. Hail 1948 (p.13) Notebooks Annals of XIII the CNLF. Rio De Janeiro: CIFEFIL, 2009, P. 1317 Notebooks of the CNLF, Vol. XIII N 04 CARCOPINO, J. Rome in the apogee of the Empire. Trad. of H. Feist. So Paulo: Cia. of the Letters; Circle of the Book, 1990. CARDOSO, Zlia de Almeida.

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